How to Create Spatial Audio from Stereo: Master or Stems

How to Create Spatial Audio from Stereo: Master or Stems

Spatial9 Team · · Updated

Most music and video was finished in stereo, but more and more devices can now play sound from all around and above the listener. This guide explains how to turn a stereo track into spatial audio, how to choose between working from a stereo master or from stems, how AI conversion works, and how to check the result before you publish.

New to the topic? Start with what spatial audio is, then come back here.

Stereo, surround and spatial audio

Stereo places sound on a line between two speakers while spatial audio places it all around the listener (stereo to spatial guide)
Stereo keeps every sound on one line in front of you. Spatial audio uses the whole space around you.

Stereo uses two channels, so every sound lives somewhere on a line between two speakers. Surround formats such as 5.1 and 7.1 add speakers around the listener, but each sound is still tied to fixed channels. Spatial audio describes sounds as objects with positions, as channels that include height speakers, or as a full sound field. The same mix can then be rendered for headphones, a soundbar or a full speaker system. Our guide to stereo vs immersive sound covers the difference in more depth.

Stereo master or stems: which should you start from?

This is the first decision, and it shapes everything after it.

Side-by-side comparison of making spatial audio from a stereo master and from stems, covering what you need, control, best use and risks
A stereo master is the quickest route. Stems give you the most control.
Starting from a stereo masterStarting from stems
What you needOne lossless file of the final mixSeparate files for vocals, drums, bass, instruments and effects, all the same length
How the parts are foundAI separates them from the mixThey are already separate
Control over placementGood, per separated partFull, per stem
Best forBack catalogs, lost sessions, quick releasesNew releases, flagship tracks, complex arrangements
Main riskSmall separation artefacts on very dense or heavily processed mixesStems that do not add up to the approved stereo mix
Time to prepareMinutesDepends on how organised the session is

Choose the stereo master when

Choose stems when

How AI turns a stereo mix into spatial audio

Five-step AI pipeline from stereo to spatial audio: separate, understand, place, check and export
The five steps AI uses to turn a stereo file into an immersive mix.

Doing this by hand means separating or re-importing parts, placing each one with a 3D panner and rendering every delivery format. AI conversion automates the same steps:

  1. Separation. The system splits the finished mix into parts such as vocals, drums, bass and instruments. With stems, this step is skipped.
  2. Understanding. It looks at the role, energy and structure of each part.
  3. Placement. It decides where each part should sit and whether it should move, so the scene feels intentional rather than simply wider.
  4. Checking. It compares the result with the original so the song keeps its balance and feel.
  5. Rendering. It exports the formats you publish to, such as ADM BWF, Eclipsa Audio, binaural or Ambisonics.

Stereo widening is not spatial audio

Stereo widening stretches sound across the front while true spatial audio gives each sound its own position around the listener
Widening stretches the stereo image. True spatial audio gives every sound its own place in 3D.

Many plugins promise "3D sound" but only widen the stereo image or add reverb. Nothing is actually placed above or behind you, and the effect can collapse or sound phasey on speakers. Panning the whole song in a circle, the "8D audio" effect, is not spatial audio either. See 8D vs binaural vs spatial audio. A real conversion separates the parts and gives each one its own position.

Step by step: from stereo to a published spatial mix

  1. Pick your starting point. Use the comparison above to choose the stereo master or stems.
  2. Prepare the files. Use lossless WAV or FLAC rather than MP3. Leave a little headroom, and avoid a master that is limited so hard the peaks are flattened.
  3. Upload and convert. Upload to a spatial audio tool. With Spatial9, you can upload a stereo file and, if you have them, stems.
  4. Review on headphones. Listen for a stable lead vocal, a solid low end, and space that supports the song rather than distracting from it.
  5. Review on speakers. Check on a soundbar, TV or speaker system if you can, and on phone speakers, where many people will hear it.
  6. Check the fold-down. Listen to the stereo or binaural version. It should still sound balanced, because many listeners will hear that version.
  7. Export the right format. For example, ADM BWF for immersive music delivery, or an Eclipsa Audio MP4 for YouTube. See where Eclipsa Audio plays.
  8. Publish and verify. After uploading, confirm the immersive version is actually playing on a supported device before you announce it.

What to listen for when you review

CheckWhat good sounds likeCommon problem
Lead vocalClear, stable and in frontDrifts, sounds hollow or loses presence
Low endCentred and solidBass thins out or moves around
SpaceSupports the song's moodConstant motion that tires the ear
SeparationParts sound natural on their ownWatery or smeared sounds on dense passages
Stereo versionBalanced, close to the originalReverb or effects much louder than before

Spatial audio formats you may export

One immersive mix rendered to many devices: headphones, phone, TV and soundbar, and home theatre (stereo to spatial guide)
One immersive master can feed speakers, headphones and phones.

Common mistakes to avoid

How Spatial9 fits in

Spatial9 is an AI platform for immersive music and video. You upload a song or video, and Spatial9 separates the sources, places each one around the listener and exports ADM, Eclipsa Audio, binaural or Ambisonics. Our patent-pending Intent Fidelity Score checks that the immersive version stays true to the original mix. You can download your files or publish straight to YouTube. If you already have a Dolby Atmos master, you can convert it to Eclipsa Audio instead.

Frequently asked questions

Can you really convert stereo to spatial audio?

Yes. AI separates a finished stereo mix into its parts and places each one in 3D. You do not need the original session, although stems can improve results on dense mixes.

Is it better to use stems or a stereo master?

Stems give the most control and the cleanest separation, so use them for new releases if you have them. A stereo master is faster and works well for back catalogs and songs whose sessions are lost.

What file should I upload?

A lossless WAV or FLAC of the final mix, with a little headroom. Avoid MP3s and masters with heavily flattened peaks.

Do I need special equipment to create spatial audio?

No. The processing happens online. Headphones are enough to review, and a soundbar or TV helps you check how the mix translates.

Is stereo widening the same as spatial audio?

No. Widening stretches the stereo image across the front. Spatial audio gives each sound its own position, including behind and above the listener.

Will spatial audio still sound good on regular headphones?

Yes. A binaural rendering lets ordinary headphones reproduce height and depth, which is how most people first hear spatial audio.

Sources

  1. Introducing Eclipsa Audio: immersive audio for everyone, Google Open Source Blog, January 2025. YouTube uploads and Samsung's 2025 TV lineup.
  2. Introducing Open Source DAW Plugin for Eclipsa Audio, Google Open Source Blog, June 2025. IAMF profiles, audio elements and channel counts.
  3. IAMF specification, Alliance for Open Media.
  4. Spatial9 product details, including export formats and the Intent Fidelity Score, are provided by Spatial9.

Try it on one of your songs

Start with a stereo track you already love, or its stems, and hear it in a new dimension. Try Spatial9 free and compare the immersive version with your original.

Try Spatial9 free